Tuesday, 19 October 2010

From Andre Bazin’s “Ontology of the Photographic Image”

“The quarrel over realism in art stems from a misunderstanding, from a confusion between the aesthetic and psychological; between true realism, the need that is given significant expression to the world both concretely and its essence, and the pseudorealism of a deception aimed a fooling the eye (or the mind for that matter); a pseudorealism content in other words with illusory appearances. That is why medieval art never passed through this crisis; simultaneously vividly realistic and highly spiritual, it knew nothing of the drama that cam to light as a consequence of technical developments. Perspective was the original sin of Western painting"


http://media.edusites.co.uk/index.php/article/truth-the-photographic-image/

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